The song books themselves usually differed from the full organ or keyboard music of the older style hymns, in that the accompaniments usually only had one or perhaps two chords per bar, whereas a hymn can have up to four chords per bar. But the brevity of the new “chorus” (as it came to be commonly known) made it possible, and indeed necessary, because due to the nature of the brevity of the song it did not seem finished until it had been sung several times. This sort treatment was never given to a hymn which tended to be too long with too many verses for this to be possible. The chorus is usually the most memorable part of the song and is sometimes the only part used, and often repeated many times in immediate succession. They consisted mainly of several verses and chorus, and many simply had only a chorus. These new choruses were based on passages of scripture and were generally much simpler in lyrical content and melodic structure. New Zealand has been recognised as a pioneer in the movement towards freer expression in praise and worship as the song books of Scripture in Song were embraced by many churches worldwide. It has been argued that the lighter content of the new church chorus has cheapened the worship experience, but this is offset by a greater freedom of expression and more modern and relevant content in the song. A simpler form of song writing began to evolve where printed text or hymnals became unnecessary as the lyrical content of the song was greatly reduced and people could sing the song from memory without the need for printed text. People in modern churches (especially independent Pentecostal churches and other independent non-denominational branches of the Christian church) began to desire a more spirited and fresh approach to worship. In the last 50 years contemporary worship music has moved away from using the church hymnal as its main source of musical liturgy. In western societies this has weighed heavily in favour of electric guitars, drums, bass and keyboard. In more recent times the Christian music genre has developed to allow almost any known style of music and incorporate any instrument available. In the early centuries Gregorian chant was altogether unaccompanied, but instruments were added to give support and variety to the creative expression of worship. The development of church music is a constantly evolving process that often reflects the music of the culture where it is found, and the use of a wide variety of instruments most suitable for that style or genre. History & Development of Christian Church Music Choruses
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